1. |
||||
2. |
Introduction
01:55
|
|||
Introduction
This book represents a selection of my work in the Northwest mountains and streams from 1993 to 2008. I take as my masters and mentors the ancient Chinese nature poets and Daoists, who were writing remarkably subtle, infinitely wise observations of nature and cosmos in their succinct and beautiful poems of nearly two millennia ago.
The Chinese sage-poets of long ago are eminently relevant and valuable to us as guides along the Way of living in harmony with Nature. For Daoists then as now Water both as an element and spiritual principle serves as the primary guide to flowing with the myriad phenomena and constant flux of the universe, taking the path(s) of least resistance, in addition to inspiring much sentiment and verse. (We humans are 70-75% water, after all).
A good deal of humility (from humus, or forest soil layers of leaf, mold, moss, indeed, the very stuff of which come) is in order in our relation to nature. This begins, I believe, with quieting the ego enough to realize the complex, interconnected, and beautiful harmonies that hold the world together, that brought us into being as humans, and that are the source of endless wisdom, health, and happiness when we listen (with all our senses and being).
These poems, then, are offered in honor of the Chinese masters that perhaps we may yet hear their faint echoes inviting us to slow down, breath deep, pay attention (it is free, precious, and yet in such shortage) and listen......... listen.........listen........
A Note on reading (my) Poetry
For those who may be new to reading poetry (or not), may I suggest: a slower pace than is used for prose, thus a savouring of each word and its nuances (in meaning, musicality, and context within the line and poem), and a pause at the end of each line, with the understanding that each line (like each word) stands somewhat on its own, is its own poem; the length of the pause being a personal, but necessary choice.
Empty space is as equally important as lines are in poems, just as in Chinese landscape painting: think of swirling mists, partially hidden crags and pine trees, mountains emerging from the emptiness. Finally, reading a poem aloud will often provide a quite different (and necessary) understanding and appreciation. I hope this helps your enjoyment.
Preface to the Second Edition
Part I of the present book was originally published in 2003 as Water Seeking: Poems of Wonder, in a handbound, limited printing of 100 copies, all of which are now dispersed to the 6 directions. It was my first published book of poetry. By 2008 I had enough new material to grow this chapbook into the full-length version presented here. Somehow it came to be 2010. I think life intervened between, as well as other poetic projects. A brief semantic note: the title of Part II, “Eh-da- ho” is my rendering of an approximation of the Nez Perce pronounciation of their homeland in N. Central Idaho, which came to be known to white settlers as “Idaho.” It is said to mean: “[Behold the beautiful]Light on the Mountains,” and I take it as an apt description of this very mountainous land. Meanwhile, Idaho, like the rest of the Western U.S., continues to suffer the assaults of too many people and their machines, particularly their water craft, as I express from the kayaker’s perspective in “Into a Rippled Sky.” And more development continues to add houses, cars, et al ad naseum to the already ill-planned suburban sprawl. May those who can listen, still find places to hear
nature’s teachings.
C.A.
Inverness, CA January 23, 2011
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3. |
The Poet
00:10
|
|||
The Poet stands between the Singer, the Shaman, the Sage—is some of each.
|
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4. |
Where I Live
01:11
|
|||
Where I Live
I live
and have grown
where mountains rise
up from the plains, the steppe
of the Plateau
of the River
“Columbia”
Where I live
green mountains first rise
in ridges against the Eastern sky
and stretch away
away until the next plains
until the next ranges
rise and claim remaining
rain from Ocean-bearing
clouds of storms.
I live
where the arid flats are called
a prairie and reach East
between these Selkirk mountains
a dry Western finger
Where lakes abound beneath the green
ridges and proclaim rain’s
consummate journey
to these inland folds
of cedar–hemlock, fir and alder, birch,
maple, and ash
northslopes
ponderosa dry southslopes
inland rainforest remnants
small groves, scattered fragments
of what once was
|
||||
5. |
Two Fireweed Crossing
00:30
|
|||
Two Fireweed Crossing
against the eastern sky deep lavender flowers,
seed pod spokes, ascending toward
lone mountain ridge: old firelookout,
long abandonded hermitage,
Eye
of the mountain
in the purple dusk
|
||||
6. |
Young Moose
00:55
|
|
||
Young Moose
Young Moose takes a dip
in the cool cove, oversize hippo ears twitching
to the water, ahhh, it feels so good on this hot humid day
Swimming toward us on the crushed granite
beach, snuffling that Asiatic-American camel snout above the water, over the land
bridge and onto the other side, just a few feet away
Talk gently
to an approaching moose
of any age, I always say.
Ahhhh, refreshed, a shake of the coat, a look around, and a look back at the other side
indifference
to us, but oh the pleasure
of wet moose on a hot day
should never be
underestimated.
|
||||
7. |
I Awake
00:45
|
|||
I Awake
I awake
to the quick movements
of the busy acrobat Douglas Fir squirrel
atop his towering tree silhouetted against
the cool grey late August Pacific Inland morning,
suggestions of coastal rain—he is nimbly
clipping and flinging sap heavy cones,
one-by-one,
from the spindly heights,
occasionally pausing to admire his work of raining cones
that fall so fast straight down through the boughs.
|
||||
8. |
Spring
00:19
|
|||
Spring
Spring Rain Falling
Spring Rain Falling straight
Spring Rain Falling straight down
through the pine needles
|
||||
9. |
||||
Tipi Creek, Cottonwood Grove
Cool Breeze Down the River Ruffles through
the Cottonwoods lightly
like tiny fans
while robin bathes
in the pool, tail splashing water over head
dipping under for a drink, and plover plies and bobs its way
along the river shallows, that river rock grey body in search
of stoneflies, plentiful riverine mollusks for the shell accustomed bird;
coastal haze in horizontal
and sandswept waves brushes in over these riparian valley wetlands
of spruce, whitepine, willow, grandfather and grandmother
old cottonwoods, along these meandering
mountain streams, along this creek, on the soft riverine breeze
somewhere,
flowing to the Sea.
|
||||
10. |
Of Kootenay Lake
00:56
|
|||
Of Kootenay Lake
across by kayak
in search in pictographs I find instead
skin-smooth stone palms,
cupped granite hands to the pure waters,
and find myself
given over to them
lying back placing myself
at their holy mercy
the waters of life
lapping softly up
polished, open, pious
palms to my toes.
Not often do skin and stone meet
so close; glacial carved receptacle
of mortal flesh can mesh so well
Looking for ancient paintings
on the rocks I found myself
in everlasting stone
upon the water.
|
||||
11. |
||||
In Search of Drumheller Springs
In Urban Spokane
In Search of “Spokane Garry”
And the Pale Purple White Irises
Ghosts
Of the Children of the Sun
Where Willow Springs drip
from a rusty misshapen pipe
and Willows Spring Old and Young
from the Basalt Square
Block bounded by Streets
in Urban Spokane
Garry, what would you say,
translate for your People,
if you would,
in the Native tongue:
is this what the Jesuits
promised you promised the People
who lived in wise cycles
all those ages
This, Progress? Toward Cemented
Springs that drip
from rusting pipes
like tear drop petals
of the pale iris.
|
||||
12. |
||||
Water Only Sounds Like Clockwork
when it falls in straight lines
down galvanized steel
gutters from a flat roof—ping, ping
ping, ping. Drip drip drip
drip, but it ain’t got no beat,
man; it’s just straight.
|
||||
13. |
Sky Lake
00:40
|
|||
Sky Lake
Eating fire-baked
west-slope cutthroat
trout from a wedge of lodgepole
pine plate.
As fish fat seeps
through the cracks
and drips on my lap
I grin with delight,
for had we remembered
butter or pan,
I’d have never had
the pleasure of such fish
leapt from granite mountain
reflection onto baking stones
by the popping fire
into
mouth in awe,
pearled eyes,
tail curled
in still
motion
|
||||
14. |
Short Poems, I-V
00:59
|
|||
Untitled
I.
Years
to unlearn
what the wild deer
has not
II.
River snaking blue-
green
through the pines
III.
This same sun
I have seen
set so many times
never seems
quite the same
IV.
Mountain breezes
scatter seeds
rustle leaves
sift thoughts
and spread
wildfire
V.
Cold expanse--
glacier
blue
moves mountains
|
||||
15. |
||||
I Went Out A’Seeking Today
seeking the Breath
of the People
to the South and West of here;
for the air they’ve breathed
is the air I breathe,
and we all share in this connected world
of bodies, breath, soil and soul.
So I drove my trusty horse-powered
car-riage out to the Palouse, farm country,
away to where the fields run and tumble
over hills for miles and the hard
winter wheat and the red winter wheat
put the meat on the table
for the simple honest folks
out there.
Who would want to be a farmer
today—such an unglamorous career
by our modern info-tech-entertain-dustry
standards that protrude into nearly every
American
home including those
of the combine-driving wheat farming families
of the Palouse.
|
||||
16. |
Aspen, Kachina Peaks, AZ
00:42
|
|||
Aspen: Kachina Peaks, AZ
A black raven
fans against blue
sky, white-veined aspen reach
for the pale moon
of a fading sun
into the seemless blue
nourishing roots
that plunge
into earth.
Aspen are moon streamers
that touch the Earth:
there, a white sanctity,
rising
behind peaks
of snow
and quivering aspen.
|
||||
17. |
||||
Field Notes on Parking Lot Ecology
I.
People come and they go. Clutching
Paper prescription sacks
and a gallon of milk
or two
to wash down the pain
medicine
onto the next errand
maybe dinner
t.v. bed.
II.
Great Blue Heron
Flying Over parking lots
and industry
unending
into the fading sunset light.
Flying where?
Searching
Searching
for Water.
|
||||
18. |
I Rejoice
00:26
|
|||
I Rejoice
with outreached arms
of gently swaying
trees,
at the end of drought:
the coming of late
August rain.
I rejoice with the cool
perfume of cedar and hemlock
down by the brooks
where alder, fern,
maple, birch
and willow dwell.
|
||||
19. |
The Crickets Strum
00:45
|
|||
The Crickets Strum
their slow tune to the late
September days the late September
evening that hangs
on the fading light
the fading hues of fall
the western horizon
just barely visible, but audible
as the crickets who strum
their lovely lonely tunes
of night into the late September
sky hanging on to the summer
that barely was
strum now crickets
strum on—to the westward
march of Fall,
whose brilliant colors will shine and fade
in a great last hurrah like this
sunset,
at the end
of September.
|
||||
20. |
||||
Like Every Piece of Earth
I cannot help but be touched
and renewed by the rain, each drop
cleansing and penetrating the old
Earth’s skin, feeding life
and creativity—
first Fall rains.
They begin the mouldering
of leaves back into soil to nurture
those from which they fell.
the hydrologic cycle the pattering
of drops
on the leaf-strewn ground is the sound
of thirst quenched, of parched
old bones gladly receiving life again,
after a long season of drought, and all the world
rejoices in the bestowing
of liquid life in this
baptism
of the year.
When the rain comes
it cleanses all
such is the power of fresh water—
pulling the salts
and poisons out of the land
and ourselves
to the Great Mother Oceans
with seemingly
boundless tolerance
for our profane ways
of Being; replentishing and refreshing—
This is the New Year: when fresh shoots
spring up or are stirred
to awaken Yes this
is the renewing.
|
||||
21. |
Eh-Daho
00:28
|
|||
Eh-daho
Light
on the Mountain
Passing clouds
wind through the pines
bees at work and the smell
of flowers—
Inland Northwest
Columbia Mountains,
idle summer
afternoon
|
||||
22. |
Blood Flower
00:22
|
|||
Blood Flower
Bending to Pull
The Blood of St. John’s
flower
I am thanked
by huckleberry
hidden heretofore;
am stained
crimson, purple,
in passionate
delight
|
||||
23. |
For My Wife Sierra
00:20
|
|||
For my wife Sierra
My sweet syringa
Gardenia of the North
wood forests
have I missed you
this year—past mid
July
Our wedding
flower
|
||||
24. |
The August Days
00:37
|
|||
The August Days
Temp.-- 82° in the shade
humidity—low, 10-15%
conditions—ideal
breeze—light to none with
cool drawing down
the mountain gullies
skies—peerless
forecast—excellent
a lightness of being
palpable
in the air
high pressure
little atmosphere
between you and the blue
heavens of ocean
circling the sun
|
||||
25. |
How I Work
00:59
|
|||
How I Work (How do I?)
Before I sit with others’ ideas I sit with pen and paper;
before I sit with pen and paper, I sit with Experience, allow
it to speak to my silence, if it will, and if my silence
will allow it. Phenomenon and Experience First: for This
is the Ground
of Being, the Being of Groundedness, the Embodiment
Then I watch
distant mountain ridges:
contours appear
in evening shadow;
listen
to the westerlies sough
through pine bough
forest
I watch geography
unfold unknown lines
under lenghthening shadow,
bringing shadowed air down
between crease and fold,
exhaling risen heat of day
in mountain
breath
|
||||
26. |
Into A Rippled Sky
01:51
|
|||
Into a Rippled Sky
Into a rippled sky
I dip, dip
dip, dip
silently my paddles
into
water smooth
as glass rippled only by cloud,
as I quietly ply my boat
through sky above
Dip,
Dip, go the paddles
into the green
oh so beautiful green
heavy metal-tainted, silver-mine
boom and bust, where are you now
you greedy bastards
water
paddle along these waters,
dip, dip,
careful not to touch
this life-giving poison-
ous water
to your mouth,
careful now, they tell the generations
of afflicted families,
careful
with these waters
Dip
Dip
Go the Paddles
Sad
Sad
is the music
of Humanity
played out on this Day
on this Lake, on these Waters:
Jetboats, speedboats, cabin cruisers, jet skies, airplanes
and seaplanes all groan and howl and roar
their demonic noise, incesssant undivided jumbled
confused chaotic wave chop tosses kayak
and passenger about the surface
tension of these defiled waters and atmosphere
dominated
by the agony
of machine
Is She of Nature’s Waters so imposing,
so threatening
as to require
this?
|
||||
27. |
||||
Lessons From the Grove of Ancient Cedars
I.
Cedar Silence Cedar
Stillness
Red Veins fingers
reaching into Earth:
butressed rainforest roots
spread out, not deep
in sandy silty soils to filter
pure silence, running clear
thoughts
so lacking in this noisy
world where a moment must last
forever,
if you are fortunate enough
to have One
at all.
Pure, clear, undisturbed ancient forest
water: reflecting, nurturing clear human
awareness
and presence: so vital, so precious, so lacking
in the clearcut narrow minded fat-clogged neuro-
arterials of bloated industrial minds of greed
that ravage the sources of clean pure water, stillness,
thought: so that few truly think anymore
of what is lost, of what is left...
What is left
|
||||
28. |
Lessons, Part 2
01:08
|
|||
II.
What the Trees of Life told me:
Western civ. in one sentence:
steal or destroy whatever was naturally
and freely given, then sell or charge for it,
or the technology to deal with problems
created by stealing and destroying in the first place—
or create devices to further exploit
(just for “fun”).
These Cedars not of Lebanon but
Old as a child
of Bethlehem
two thousand years
of Being
Rooted
in a place
will produce
ruminations Deep
and True.
Not only Ancient Trees but all W ild
and Free of Charge
places tell such truths,
and all the world
left Alone
by man is ancient and before his
Fall
from a grace and freedom
naturally given.
Freedom, much abused
word these times, after all,
implies a domain
free
of cost
|
||||
29. |
Lessons, Part 3
00:31
|
|||
III.
What the evening early
September sun upon cedar spring
water told me: cleanse thyself, heal
thyself within and out. Drink,
drink
of this solarized sacred water filtered
through the ancient thuja roots
and quartzite sands,
for it is Holy.
Pick up litter, white
trash left behind.
|
||||
30. |
Lessons, Part 4
00:28
|
|||
IV.
May all wild, ancient, natural, and free
places left be solemn reminder
and remainder,
sanctuary for what is Good, True,
Beautiful, and Enduring in this human
inundated world of machine rush, disembodiment,
delusion.
The Ancient Songs and Teachings
may yet be heard
by those who will seek
and listen.
|
||||
31. |
Creature Teachings
01:24
|
|||
Creature Teachings
I.
Spider taught me:
seek pointedly
the mysteries
and they will
flee
your
gaze.
Instead, allow all things
to Be:
Everything unfolds
of It’s own accord
II.
The frogs have told me:
stay near the cool,
clear, clean
mountain water.
III.
Golden Eagle told me in the many summers
of smoke obscurity: stay low with your wings
spread over the serpent lake; do not attempt
to soar the heights when fires and smoke bar
the Way:
seek
clean
Ocean
Air
IV.
The Slocan Lake Wind Spirit taught me:
strong winds
even from behind
can be treacherous
4 foot waves rebounding
from rock slab shoreline,
kayaks close to
and navigating sideways around
points.
That Wind can change direction 5 times
in a day:
don’t think
you can ever
guess
correctly.
|
||||
32. |
Liberty Creek Park
00:26
|
|||
Liberty (Liberté) Creek Park
Waxing full
moon rising
between mountain
ridges folded
to valley blue.
aspen sapling and cottonwood
in the cool
evening draw down
breath,
shivering
|
||||
33. |
Nemo Creek
00:26
|
|||
Nemo Creek
Where water
falls
down
ouzels
fly
Up
Tiger lilies lilt
to the side,
gazing pretty faces
at the flowing
granite, liquid
rock beneath
clear flowing
still water
|
||||
34. |
Flicker
00:58
|
|||
Flicker
For I have seen
the red-shafted flicker fly straight
into my heart, variegated breast and wing
aflame in autumn liquidamber;
and I have seen a cacophony
of magpies, garrulous, gregarious
bands of these tricksters together
with curious corroborees of flickers
sticking their heads in the grass:
most unflickerlike, the shy woodpecker
here cavorting on the lawn with a party
of flamboyantly attired black white and turqoise-
tailed magpies.
All perhaps heat and humidity
dazed in this last gasp of summer;
seeking the pungent protein
of the leaf-footed pine bug
that usually flourishes late summer
but this year
has magpies and flickers
dancing crazy
in their own abundance
|
||||
35. |
||||
Old Ponderosa Lake Camp-Sight
beneath the old trees here I sit, trees
that have seen
once the People camped, living
upon this shore, a good people,
relatively few in number.
Now,
it is legal and encouraged
to act criminally
toward Nature: do it before “the next guy”
does. In the tribunal court of Nature
we moderns are all greater or lesser criminals
in our complicity with or acceptance of societal
values and actions.
Many think things
couldn’t be better now (unless wishing that they themselves
could inflict more consumption and pollution than current
financial status allows).
The old ponderosas remain solemn and silent
(like an Indian, as the white man says)
to most, but when I catch a moment of the breeze
through their needles I think I hear
their long and slow hymn;
their roots are deep,
deep beneath
these lake shores
|
||||
36. |
Rubber Boa
00:55
|
|||
Rubber Boa
Old Great Grey
Grandmother
Snake I almost killed
on the driveway
pavement with the rainforest-rubber
shod iron horses of the autonation
I hold
and caress you,
your cool-cold slick body,
creamy yellow belly;
you kiss just lightly
with cool red, black-tipped
forked tongue,
and I give great thanks
for your blessing
on my hurried way to printer
with new and first book manuscript,
new skin
for your blessing
for we have only just met
and I give great thanks
The Snake Kingdom shall live
forever, since time eternal
has it been decreed.
|
||||
37. |
Short Untitleds
01:21
|
|||
Short Untitled Poems
I.
another day
before leaving
teardrops and jasmine season
the morning tea—
parting at last
with a cat Immortal
II.
Blackberry twirled
in the morning
sun—
chipmunk’s breakfast
III.
Choke cherries nibbled
in chokecherry shade—
afternoon delight
IV.
Does Douglas
squirrel who spends its days
and nights among the sap
laden cones of late summer
also smell
of the resin
perfume?
V.
Under the file “Signs of the times”:
“Zephyr Christian Conference Grounds
No Public Access”
VI.
Fireweed seed fluff
August winds—
mid-summer
snowstorm
|
||||
38. |
Who Sees
00:46
|
|||
Who Sees
Who sees
the red-tailed hawk
lift from its perch
upon the parking lot
floodlight who sees
it glide down and alight
wings spread, tail fanned,
in a squared off block
of dry grass
stubble labeled “commercial real estate;”
the hawk will soon be hunting
again, for space not fenced by
dollar bills, by concrete and asphalt
spreading human sprawl.
Who sees then
who has seen
the red-tailed hawk and prey
who would say
they are
trespassing
|
||||
39. |
Sweet Brown Eyes
00:53
|
|||
Sweet Brown Eyes
To catch
a glimpse
of a pine
marten,
much less gaze awhile
into those wild soft
brown forest eyes,
is a rare privilege at mid-day
in the early autumn forest.
you must ask
with sincerity:
and one will offer itself
to be seen, to be appreciated
--striking orange-brown breast triangle--
and loved, spoken softly to,
and half close those sweet, sharp
brown eyes and rest awhile
on the down tree while we
stare in wonder:
this rare and magical creature
here before our very eyes
before our very eyes!
|
||||
40. |
Indian Creek
00:53
|
|||
Indian Creek, Aug. ’01, Valhalla
Under shade
of cedar and birch
beside Indian creek and white granite
beach, shadings of shallows, Northern tropics
of emerald, turquoise, and deep water blue
lapiz off the rock shelf,
I give thanks
for the blessing
of cool running water
pure from the sea
of rising grey peaks
and green clad mountains
all around
on this lake,
on this searing day
in a year of drought.
I know not how much longer the strongholds
of Nature, as this Valhalla,
can sustain
against the onslaughts
|
||||
41. |
Old Mother Snake
00:39
|
|||
Old Mother Snake
Old mother snake,
in the Garden,
orchard of grafted and tampered
apples and pears where we planted
our first garden—
at 31, at least younger
than T’ao Ch’ien.
Gilgamesh found
the Snake Kingdom
everlasting
in his vain struggles
with Cedar spirits and ancient
Noahs.
I welcome the snakes
to my home
and garden, the blessings
of their wise old ways
|
||||
42. |
Three for Idaho Gulls
00:43
|
|||
43. |
||||
Notes of a “body anthropologist”/an Infomertial (not Commertial, implying that only information is being given, nothing sold; treacherous lies, though, masqueraded by “experts in health and fitness”—they probably are—who cares?) the body anthro-apologist cares
That we should not smile
our yellowed, worn, toothless smiles
(except for rustic, commerical effect)
That we should not hone our flesh
to earth walking
in uneven leisured gate.
That instead this artificial
White Smile fitness-crazed tv
Try as we might,
nothing so difficult
as simplicity, acceptance
of a natural, time-honored, time-bound
and time-less Way
of Being
in ancestral bodies bulging
here and there, worn and weathered
into sun-parched potato skin sacks
slung over shoulder blades bent
and danced into lines drawn
upon this Earth
that is us: Sung and Spoken.
From which soil springs this
plastic plant we call Amerika?
Surely not the deep soil
of Earth People.
(in a bright and perky voice, Barbie says):
It perfectly simulates walking
while simultaneously toning all the muscles of the body
and whitening your teeth
creating a new, better you
all from the privacy of your own home.
Memo: Brave new world
The End is Near
|
||||
44. |
||||
Lobster, tank, still, life
I.
I would set free
the lobsters in their
gross glassery case,
but for a place
to put them.
I would send them out
the fire exit door, into the moist
warm night, send them toward
the lakes and rivers, but no,
no they must await
their allotted time
like the rest who work
these flourescent aisles,
who sit behind their own
tanks and glass walls,
waiting
for retirement
II.
Some strut proud
in the bubbling enclosure
in the penetentiary-lit corner
of the stench-ridden meat
counter
others, most, cower
silently and sullenly together
in a corner, their life
all but gone
I think that to set them free
even in the aisles might be
a preferable fate to this,
but
return to my wine
selection
lobster,
tank,
still,
life,
in the back corner
of the store,
next to the wine, a place to drown
one’s sorrows
at this world.
|
||||
45. |
Cottonwood Cabin
00:34
|
|||
Cottonwood Cabin
at Sunset Rainbows’
Beginning
Slowly, Slowly
drift the wind swept white
sand clouds
of time
across an ocean of sky
blue, swiftly
swiftly fly the swallows
gathering insects
for their young
beneath our eaves
Quietly, quietly,
another evening,
fades to sun
set
|
||||
46. |
Green to Silver
00:12
|
|||
Green to Silver
Cottonwoods,
Green to Silver--
in the Wind
|
||||
47. |
Wild Cherry Cabin
00:55
|
|||
Wild Cherry Cabin
Suffering
Cough and Sadness
I notice:
Wild Cherries
growing crimson
by the dangling clusters,
like their leaves, deepening
by the nights growing
cooler, by the sunset rays
deepening earlier
South-ward
Yellow twirling
fans how
they dance and lilt
on the wind
like the swallows
whose adobe nests
we removed
from under the eaves:
cottonwood leaf banners
flying on September
cleansing winds,
All Autumnal signs
in accord.
Your Medicine,
right Out
the Door
|
||||
48. |
Peace and Freedom
00:34
|
|||
Peace and Freedom
Dispatch from the Immortal Rock
Pinnacles at the big bend
of the little north fork: I stand
still in gathered light and know:
There shall be no war forever.
One day
All shall be free
and in peace.
This I know
in my own peaceful heart
in the heart
of these peaceful mountains
where we may yet know,
and find,
that peaceful day.
|
||||
49. |
Valhalla Twilight
01:11
|
|||
Valhalla Twilight: New Denver, B.C.
Into the blue blue dusk
fading blue mountains
with ridge after ridge
gorged deeply by white
not blue
water carving pink granite;
falling and washing smooth;
and those are the rocky bones protruding
as kneecaps and elbows
spines and scapulas
of the Mountain Jotuns,
Perhaps Ymir Himself
rest on these magnificent shores
of deeply incised ridges
fading, fading to dusk fading now
as cedar-scented torrents
streaming from the roots
of the trees
of Life
waft down, down,
to the Lake,
to the Lake
to this lake shore.
Valhalla refers to: the subrange of the Selkirk mountains; the provincial wilderness park encompassing over 7000 feet of vertical rise from the western shoreline of Slocan Lake, extending for some 20 miles; and the great mythic hall of Odin and the Norse pantheon.
Jotuns are Mountain Giants in Norse Mythology, and Ymir was the Giant from whose flesh and blood the world was created according to the ancient Norse.
They believed that an arborvitae, what we know as a cedar, was the world tree, or cosmic axis: The underworld, where the Midgard Serpent continually knaws upon it’s roots; the human realm of trunk and branch, and reaching into the sky, abode of the gods and goddesses. I thus consider them the trees of life. Those who spend any time in the forest will find it relevant and humorous that the Norse considered the tree squirrel, called Ratatusk, a messenger (actually he mostly delivered insults downward) between humans and the pantheon.
|
||||
50. |
||||
For Sierra and Li Po
I am looking
out at the
Green Mountain
Watching the mists
among the high ridges
I have strolled to check
on the two brooks
after summer rain
and find ferns luxuriant
with dew.
I am watching green
mountains sway
in the sighings
of pine
boughs
swaying with
storm wind
The mountains
in their mists
writers
at their desks
|
Christopher Robin Anderl Inverness, California
Christopher Anderl has led many life-times, a few of them in the present even.
Poet-Chi:
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